Tag Archives: eric brown

Piracy etc…

If it isn’t hard enough these days attempting to scrape a living as a freelance writer – and a freelance writer of fiction, which is even harder – you have various obstacles in your path. One of many are the websites which offer your work for free, or sometimes at a minimal charge. These sites have scanned your books and stories and offer them for download.

I saw one site which vaunted that it was providing the reading public with a ‘service that all book-lovers will love!’. Which claim is, of course, rubbish. These sites are run by opportunistic pirates. They are stealing authors’ works – novels and stories it has taken us weeks and months and sometimes years to create. Far from offering a service, they are depriving writers of income. As a book lover, the reading public should avoid these sites.

The other obstacle to a freelance writer earning a crust is publishers who steal your work.

I’ve been fortunate, on the whole, in only having had a few short stories and one book stolen in this way.

Galaktika, a Hungarian SF magazine, was infamous for ripping off foreign authors (and Hungarian authors, too, presumably). Twenty years ago it came to my notice that my short story “The Time-Lapsed Man” had appeared in translation in Galaktika 163, April 1994. I’d not been contacted by the editor, one Kuczka Peter, for permission to translate the tale, and of course I wasn’t paid for it. I managed to track down a copy of the magazine and found that I was in good company: the contents list included the likes of Aldiss, Ballard, Brunner, Bayley, Clarke and Watson. I wrote to the editor, asking for recompense, and heard nothing.

So it goes.

In 2000, the indefatigable Molly Brown emailed me to ask if I knew that the Japanese magazine ‘S-F’ run by Hayakawa Publishing had published two of my stories: a collaboration with Stephen Baxter “The Spacetime Pit”, and “The Time-Lapsed Man”, in issues number 471 (September 1995) and 499 (January 1998) respectively. Molly had had a tale printed without payment – and sure enough the powers that be at Hayakawa had neglected to pay me (and, as it happens, a host of other foreign authors).

Molly had a lawyer friend who kindly drafted a form letter, demanding payment and interest from the company. I sent the letter to the address supplied, expecting to hear nothing back. Imagine my surprise when I not only received a letter expressing consternation and apologies at ‘this unfortunate oversight’, but full payment for the published stories, plus a numbers of years’ interest.

All’s well that ends well.

It wasn’t such a happy ending with the only book stolen from me. Back in 1998 I signed a contract with the French publisher Henri Dhellemmes, who ran DLM Editions in Montpellier, for a short story collection entitled Odyssées aveugles. It duly came out in a neat paperback edition – but the payment for the book (only four hundred pounds – but money I’d rather be in my bank account than Henri’s) never appeared. I emailed the fellow, of course, but he deigned not to reply.

I’ve since had a couple of holidays in or around Montpelier, and I really should pop in and see him.

Failing that, Henri, if you ever read this – have the decency to cough up.

~

Advertisements

Leave a comment

Filed under News

Interview

This interview, conducted by Mark Chitty, first appeared on The Speculative Scotsman website in 2011. My thanks to Mark Chitty and Niall Alexander.

MC: If I may, I’d like to start by talking about The Kings of Eternity. You mentioned in my last interview with you in 2010 that you had “…been writing the novel, on and off, for ten years, and I think it’s probably the best thing I’ve done.” It certainly was a great novel, and from the reviews I’ve seen from around the internet I’m not alone in that. Both Mark Yon and Rob Bedford over at SFFWorld.com named it their favourite science fiction release of 2011. How have you found the reaction to it?

Thanks for your kind words – I’m pleased you enjoyed it.

To my delight, the reaction has been uniformly excellent. I don’t think I’ve come across one bad review… yet. When one of my books is published I’m pretty resigned to reviews running the gamut from good to bad and everything in between. When a book goes out there, I know that some people will love it, some hate it with equal passion, and many people won’t give a damn either way. The response to Kings is especially rewarding as of all my books it’s the one I’m most pleased with. I loved writing it, I loved rewriting it, and, when I dip into it very occasionally, it’s the novel that picks me up and carries me along – it’s almost as if I didn’t write it. It’s certainly the novel that means the most to me, of all my stuff: I identify with the characters, their predicaments, and the sentiments expressed. Because I wrote it over such a protracted period – over ten years – I think it had time to mature, and I certainly had the opportunity to go back to it again and again and tinker, fix, cut…

MC: I believe your next novel due out, The Devil’s Nebula, is a venture into a shared world setting with Abaddon Books. Can you tell us a little about the novel?

The Devil’s Nebula is about a small starship, ostensibly a salvage ship, and its crew of almost-criminals in a future fascistic, human empire. They sail close to the judicial wind, keeping just to this side of the law – until they land on a world within the out-of-bounds territory of the alien Vetch, searching for art treasures. Caught by the Terran authorities, they’re given an ultimatum: face the death penalty, or take your ship beyond Vetch territory to the Devil’s Nebula, in search of a colony ship that left human-space a century earlier… It’s out-and-out space adventure, of the type I love to read, set in a universe where an evil alien life-force, the Weird, are bent on invading our universe through portals from another dimensions. It’s a space opera with Lovecraftian overtones.

MC: How did you find the process of creating such a setting knowing that other authors would be writing within it at a future date?

That will be one of the delights of the project: setting up the background – the ground-rules, if you like – and seeing where other writers will take it. I’m looking forward to reading the novels in the series and taking inspiration from them, borrowing ideas maybe, riffs, and hopefully writing more in the series. It has great scope for many fascinating adventure stories, of many types, and I’m fascinated to see where it goes. The first novel, while complete in itself, sets up the series, leaving many ideative avenues for others to explore.

MC: After The Devils’ Nebula we’ve got Helix Wars to look forward to, a sequel to your 2007 novel, Helix. Is there anything you can say about that yet, and why the choice to return to that setting?

Helix Wars is set two hundred years after the events depicted in Helix. Humankind has settled on New Earth, the colony is thriving, and the alien Builders of the Helix have conferred upon humanity the mantle of Peacekeepers – the monitors of the six thousand-odd alien races who inhabit the Helix. However, the Builders ceased communicating with the human colonists around a hundred and ninety years ago, retreating into virtual quiescence. The humans have been going it alone for that long and successfully keeping the peace between the various races – until now. On the circuit of the Helix below where New Earth is situated on the fourth circuit, an alien race known as the Sporelli has invaded the peaceful world of Phandra and the neighbouring world of D’rayni, and the central character, Jeff Ellis, is caught up in the conflict when his shuttle crash-lands on Phandra and he is saved by the elfin, pacific natives. What follows is a story of personal loyalty – as Ellis attempts to save the life of the woman who saved him, when she is kidnapped by the Sporelli – and the destiny of various races on the Helix.

The Helix is a vast playground, and it was great to return to it. I’ve had great fun writing this novel – I love SF adventures featuring humans and aliens, exotic settings, fabulous inventions, crash-landed starships, strange cults… I can see myself (if my publisher so wishes) returning again and again to the world(s) of the Helix. The amount of fun I can have there is never-ending.

MC: Any further novels planned, and if so can we get a sneaky bit of info on them?

The novel contracted for after Helix Wars is The Serene Invasion. It’s an idea I’ve had for years, and one I’ve wanted to write for ages. And it might be the most difficult I’ve ever tackled. The background is that an alien race, the Serene, come to Earth and abolishes the act of violence, our capability for violence, for the better of the human race. The novel will follow the consequences of this over the course of approximately forty years. It will focus on three or four characters and chart not only how their lives have changed, but how society and the race as a whole have been transformed. I want to write a novel of character, like Kethani, and a big novel of ideas. Sometimes I’m daunted by the task I’ve set myself. I’m confident of depicting the characters to my satisfaction, but it’s the societal examination of the premise that will be a big challenge.

After that… As I mentioned earlier, I’d like to do another Weird Space novel. And I’m always working on short stories. I’ll be writing a novella soon with Keith Brooke, and finishing off my Salvageman Ed story cycle, which very possibly will be appearing as a book in France before anywhere else.

I have a collection (Ghostwriting) of my horror stories due out soon, as both an e-book and a real book, from infinity plus books. I’ve just had a proof copy through, and it looks great. It contains my eight horror/ghost stories to date – though they’re not bloody, gory, macabre tales, rather examinations of characters in stressful/horrific situations. Depending on how well Ghostwriting sells, infinity plus books might also do my e-book SF collection, The Angels of Life and Death, as a pod book.

I wrote a crime novel last year, set in 1955 – it’s still doing the rounds – and I’d like to write further novels about the central character.

All in all, what with moving up to Dunbar in Scotland earlier this year, I’m more than a little busy.

MC: You’ve recently had some of your older novels and novellas come out through the ebook imprints Infinity Plus Books and Anarchy Books. Have you updated any of these, and are there any plans to get the remainder of your backlist out via this format?

I’ve not updated anything that’s gone into e-book format, other than correct of few errors or typos and things. Most of my longer work is available in e-books, I think – with the exception of my two Web books for children, Untouchable and Walkabout. Solaris brings out e-books all my novels; PS Publishing brings out all the novellas I’ve done for them as e-books (or will do soon); and Anarchy Books do the Virex trilogy.

MC: Speaking of ebooks, the success of the Kindle and other devices has brought a flood of self-published books to the market. What are your thoughts on the ease in which books can be published like this, especially with many of yours available in e-versions only?

Well, it does mean that the market is flooded with unedited material, so it’s harder for the reader to wade through the dross to find the good stuff. And, I suppose, that means my e-work will be buried under the flood. But I’m not complaining. I often wonder if, had the internet and e-publishing, and POD, been around when I started writing thirty-odd years ago, I might have gone down that road to start with. What I did was put all my unpublished – and unpublishable work (some twenty-odd novels and three hundred short stories) – under my bed, where it didn’t get edited, or read.

I’ve read three authors recently who self-published their stuff as e-books, sold – or had downloaded – millions, and achieved real publishing deals as a result – two Americans and a Brit. All three books were of low quality, and I despise the respective publishers for jumping on the band-wagon.

I still think Alfred Bester’s dictum should be seriously considered by every writer (and I’m paraphrasing him here): Write a million words, and only then try to sell.

MC: You mention that you’re always working on short stories, and you’ve had some collections of these out in the past (Kethani, The Fall of Tartarus). I like the idea of these collections that focus on the same setting and/or characters, and I’m aware that you have other short stories and novellas that fall into this category (the Starship stories, Salvageman Ed). Can you see these being collected either as a print or ebook edition in the future?

Ideally I’d like to see them as print books. PS Publishing is doing all four Starship novellas in one volume – so it’d be lovely to see a mass market paperback of that. It’d work, as in total it’s around 120k, and reads like a novel. As for the Salvageman Ed tales; they stand at 70k at the moment, and are almost finished, and it looks as if they’ll be coming out in France as a print book from the people who publish the Bifrost SF magazine, where some of the tales have run.

MC: Finally, where would you recommend a new reader to your work to start?

Mmm… that’s a difficult question, because it depends what the reader likes. For readers who prefer space opera, I’d recommend Helix, Penumbra and Engineman; for those who like more quiet, introspective, character-driven SF I’d recommend The Kings of Eternity; Kethani; The Fall of Tartarus; and the Starship novellas, and the novella Gilbert and Edgar on Mars, featuring G. K. Chesterton and Edgar Rice Burroughs on the red planet. Then the Bengal Station trilogy (Necropath, Xenopath, and Cosmopath) combines both space opera and character – in fact, in terms of characterisation, I think Vaughan in those books is my most successful creation, in that I managed to achieve – I think – exactly what I set out to do in starting with someone who had very little to live for, was a nihilist, and through his experiences over the course of the three books came to some degree of happiness and contentment.

~

Leave a comment

Filed under News

Twenty-Five Years

Next year will mark the twenty-fifth year since my first book, The Time-Lapsed Man and other stories, was first published. This is a frightening anniversary because, subjectively, very little time at all seems to have elapsed. I can still recall my first meeting with the editor responsible for buying the book for Sphere, then part of the Penguin group, (a month or so later he moved to Macmillan, and took the book with him). I recall the thrill, as if it were just yesterday, of signing the contract, and recall the heady notion that, after years of slogging away, I was about to see a book of mine in print.

In the intervening twenty-five years I’ve published over fifty books and a hundred and thirty-odd short stories, a fact that I still find amazing. It’s not just the quantity that surprises me, but the fact that, despite all the knocks and set-backs, I’ve kept going. There have been times when, novel contracts thin on the ground, and with mounting financial pressures, I’ve considered stopping writing novels and getting a ‘proper’ job, while continuing to write short stories in my spare time. Then sense – and the fact that I can do nothing else – intervened and I ploughed on, turning out novels and outlines until they started selling again.

A few years ago at a convention, someone who wanted to become a professional writer asked me, “What would you advise me to do to get a career as a writer?”

I must admit that the question floored me. I thought for a time before replying, “First of all, don’t think of writing as a ‘career’. If you want a career, go into banking…” I went on to suggest something that still sounds sensible to me. I said that the young man could do worse than considering getting himself a trade, an apprenticeship as a carpenter, a plumber or an electrician, “And write in your spare time.”

Looking back, it’s perhaps what I should have done – it would have saved me from some hard financial times. In my late teens I had the opportunity to serve an apprenticeship as a joiner. I thought about it, then decided to do dead-end factory work instead and spend all my spare time scribbling.

There were times down the years when I’ve regretted this decision, wished that I had the fall-back of a trade to get me through the hard times. Then again, had I been a joiner, would I have persevered with my writing to the extent that I did – turning out the novels and outlines that, eventually, did make their way into print? I’ll never know.

But I must admit that it’s a suggestion I’d still make to any aspiring writer, especially these days when it’s even harder for a writer to scratch a living from putting pen to paper – ironically, as we live in an age when getting into print, via PoD and online publication, has never been easier. Think about getting a trade, do a ‘real’ job, and write in your spare time because you love writing and have a story to tell…

But would I have listened, as a headstrong aspiring writer back in 1980, with his head full of ideas and a burning desire to get into print?

Probably not.

~

Leave a comment

Filed under News

Productivity

I received an interesting email the other day from a reader who described himself as ‘an Eric Brown completist’ (a rare creature indeed). He collected the first editions of all my books, be they SF, children’s, or crime. He wanted to know – with, I think, his tongue firmly in his cheek – why I was so prolific, as it was costing him a small fortune to keep up with my output.

It’s a good question, and there are two reason why last year I had five books out (Starship Seasons, The Serene Invasion, Murder by the Book, Satan’s Reach, and Salvage), and this year there will be six new Brown titles on the shelves (Famadihana on Fomalhaut IV, Strange Visitors, Rites of Passage, Jani and the Greater Game, Murder at the Chase, and Sacrifice on Spica II). The first reason is that I enjoy writing, and I write a lot. I get a lot of ideas and, after sitting down at my desk and writing (almost) every day for the past thirty-five years or more, I’ve become adept at letting my subconscious take over the writing process. So, every two or three hour shift I put in in my study, I produce around two thousand words, and I do two shifts a day. Of course, I take a rest after the first drafts are done, and move on to reviews and non-fiction pieces, and then rewrite the fiction. Even so, that’s a lot of fictive wordage every year. I find that I can comfortably write two novels a year (at the moment an SF novel and a crime novel), a novella or two, and half a dozen short stories. The problem isn’t writing the books, but selling them. At the moment, Solaris put out my SF, and Severn House my crime novels. PS Publishing bring out my novellas, and the short story collections come out from NewCon Press (Strange Visitors) and Infinity Plus Books (Rites of Passage, The Angels of Life and Death, etc – though IPB did publish my fix-up novel, Salvage last year). On the children’s writing front, things have stalled for a while – I still have two novels for Young Adults looking for a home: Gone Twocking and The Children of Winter, based on my BSFA award winning tale of the same title. So there could be even more Browns out there…

And the second reason I publish so much is that we live in straightened times. It’s becoming ever harder for a freelance writer to make a living writing just one book a year, or even two. There was a happy time, from the ’50s right up until perhaps the ’90s, when a mid-list writer could turn out a novel a year and make a half-decent living. Not any longer. The abolition of the Net Book Agreement in 1997 saw to that, along with online outlets like Amazon offering used books at a penny apiece and even new books at vastly reduced prices. For a full-time freelance writer to earn a crust these days, he or she must turn out more than two books a year (unless they’re a best-seller, of course), and supplement whatever they make from advances and royalties with writing-related work on the side like reviews and journalism.

That said, even if I became a best-seller overnight and could afford to ease back and write just one book a year, I wouldn’t. I enjoy writing too much to restrict myself. There is nothing quite like being infected by an idea, locking myself away in my study (accompanied by my dog), and losing myself in a story for a couple of hours. It’s like a drug, and I emerge feeling refreshed and with a pleasant sense of accomplishment.

And next year? Well, it doesn’t appear to be quite so replete with new releases at the moment. (My completist reader will be pleased to know…)

Next summer will see the publication of the second book in the Multiplicity series, Jani and the Great Pursuit, the third and fourth Telemass novellas, Reunion on Alpha Reticuli II and a final volume which is as yet untitled, and maybe another collection from Infinity Plus Books. I have a couple of outlines for big SF novels out with a publisher, and I’m awaiting a decision from my crime publisher as to whether they want to see a third Langham and Dupré mystery.

All in a bid to keep that ravenous wolf from the door…

3 Comments

Filed under News

Latest news

On the short story front I have a few tales appearing in the following venues:

“Bartholomew Burns and the Brain Invaders” in Aethernet.

“Diamond Doubles” in Daily SF.

“The Ice Garden” in Improbable Botany.

“Emotion Mobiles and Sally” in Starship Seasons.

“Iris and the Caliphate” in Fifteen.

salvage-ebook-cover_600wInfinity Plus Books will be bringing out my episodic novel Salvage, which will feature the following original stories: “The Manexan Exodus”, “To All Appearances”, “Salvaging Pride”, and “End Game”, featuring Salvageman Ed, Ella and Karrie.

* * *

Friend and fellow SF writer Chris Beckett has won the 2013 Clarke Award for his fabulous novel Dark Eden. I’m sorry I won’t be at the Pickerel in Cambridge to celebrate, Chris, but I’ll be raising a pint in spirit. Well done! The sequel to Dark Eden, Gela’s Ring, is being serialised in Aethernet, and will be published by Corvus.

* * *

The 2013 Philip K Dick Award was won by Lost Everything by Brian Francis Slattery (Tor Books), and a special citation was given to Lovestar by Andri Snær Magnason (Seven Stories Press). Congratulations to both writers. My Helix Wars and Keith Brooke’s alt.human were short-listed.

* * *

The new online serial SF magazine, Aethernet, edited by Tony and Barbara Ballantyne, was recently launched at Eastercon in Bradford. It’s full of excellent work by the likes of Chris Beckett, Ian Whates, Philip Palmer and others. A long tale by me will be running in later issues. For more information: www.aethernetmag.com

* * *

Welcome to my revamped website – and a big thanks to Keith Brooke for setting it up and being patient with my IT ineptitude.

Speaking of Keith Brooke… While the website was down, I heard the happy news that my novel Helix Wars and Keith’s alt.human (Harmony in the US) have been short-listed for the Philip K. Dick award. So I have two shots at winning… or that’s how it feels, at any rate. Keith is a great friend, and I feel privileged to have been among the first readers of alt.human. The winner will be announced in Seattle on the 29th March.

It’s been a busy few months on the writing front, and the next few months will see a few books hot off the presses. Later this month my first foray into crime is due out. Murder by the Book (Severn House) breaks new territory: it’s a crime thriller set in London in 1955 and features thriller writer Donald Langham and his literary agent Marie Dupré, and their involvement in a series of murders in the London crime writing scene. It was fun to write – I could use simile and metaphor with much greater freedom than I have when writing SF, and it was nice to write in a ‘real’ world known to the reader. I’ll be writing the second book in the series later this year.

Also later this month comes the sumptuous Drugstore Indian Press edition of the collected Starship novellas, Starship Seasons, with a great… laid back, let’s say… cover from Tomislav Tikulin. Later this year will appear the hardback edition containing an original long short story, wrapping up events at Magenta Bay…

In May is the big one, The Serene Invasion, from Solaris, about aliens who invade, peaceably, and change things on Earth for ever. It’s about non-violence and hope, and was the hardest thing I’ve had to write for years. It’ll be graced by a wonderfully atmospheric cover by Dominic Harman.

And later this year the second book in the Weird Space series, Satan’s Reach, is released from Abaddon Books. This one was great fun to write and whistled out, and tells the story of telepath Den Harper and the bounty hunter he’s running from across the expanse of the Satan’s Reach.

Later this year Infinity Plus Books will bring out the collected Salvageman Ed stories, fixed up to read as a novel. I’ve yet to settle on a suitable title for this; so it’s simply Salvaging at the moment.

* * *

And this has just come in from my agent, John Jarrold…

PRESS RELEASE – SOLARIS COMMISSION ERIC BROWN STEAMPUNK NOVEL

Jonathan Oliver, commissioning editor of Solaris Books, has commissioned JANI AND THE GREATER GAME, the first in a new steampunk series by Eric Brown, set in India with a teenage female protagonist.  The novel will be delivered in spring 2014, for an autumn publication. The agent was John Jarrold, and the deal was for UK/US rights.

Eric Brown said: “I’m delighted and excited to be doing a ideatively different novel set at the end of the nineteenth century. It’ll be my first novel-length venture into the exotic territory of steampunk, and I’m already pulling on my plus-fours and brass-studded thinking cap. I love writing about India, and in Janisha Chaterjee I have a strong female lead who subverts all the norms – this will be steampunk done with spice!”

12 Comments

Filed under News

Latest news

Introduction to Ghostwriting, a collection of horror stories:

I write very few short stories that can be termed horror, ghost, supernatural, occult, or fantasy. In fact, in a career spanning twenty-five years I’ve written just eight (nine, if you include the novella A Writer’s Life) out of a total of around a hundred and twenty published stories. Most of those have been science fiction, a genre with which I feel more comfortable. The ideas I have just happen to be about the future, concerning the staple tropes of the genre: other worlds, space-flight, aliens, fantastical technologies, time-travel… I rarely get ideas that fit neatly into the horror genre or related sub-genres.

Now, why is this?

Perhaps it’s because my preferred reading, along with mainstream novels, is SF. I’ve been reading it since I was about fifteen and I know it inside out. I do occasionally read horror (or ghost or supernatural), and enjoy the likes of Robert Aickman, R. Chetwynd-Hayes, M.R.James, and more modern practitioners like Joe Hill, T.E.D. Klein, Adam Nevill. And while I can appreciate the literary merits of the genre, I always have to work hard at suspending my disbelief. Fundamentally, I don’t believe in the occult, ghosts, ghouls, vampires, etc… Therefore when I come to write about them, I find it that much more difficult to do so.

Now I can hear you crying, “Why! That’s ridiculous! What makes ghosts, ghouls, vampires etc any less credible than little blue aliens, FTL travel and all the other fantastical trappings of SF?” And I admit that there is, perhaps, nothing more credible about the furniture of SF… other than a sneaking suspicion I have that the things I write about in SF might, just might, possibly, in some way, at some point in the future, come to pass. At any rate, the characters I write about in my science fiction tales believe implicitly in the scientific process and believe that the fantastical things in their world have a credible, rational, scientific basis.

When I do get ideas for horror tales, I find that they’re about the exploration of character. They’re gentle horror tales, often metaphorical, with little or no blood and guts, precious few ghosts, ghouls, and certainly no werewolves or vampires. I prefer to call them psychological horror stories.

* * *

Helix Wars

At the moment I’m working on a follow up to my 2007 novel HelixHelix Wars will be set two hundred years after the events described in Helix – the arrival of the human colonists on the vast, helical construct made up of ten thousand worlds. In the new novel, the human race have the job of keeping the peace among the six thousand inhabited worlds of the Helix. However, when the humanoid Sporelli invade the neighbouring world of Phandra, the humans are drawn into a conflict that will have far-reaching consequences for all those involved.

Here’s the publisher’s blurb:

The Helix: a vast spiral of ten thousand worlds turning around its sun.

Aeons ago, the enigmatic Builders constructed the Helix as a refuge for alien races on the verge of extinction. Two hundred years ago, humankind came to the Helix aboard a great colony ship, and the Builders conferred on them the mantle of peacekeepers. For that long, peace has reigned on the Helix. But when shuttle pilot Jeff Ellis crash-lands on the world of Phandra, he interrupts a barbarous invasion from the neighbouring Sporelli – who scheme to track down and exterminate Ellis before  he can return to New Earth and inform the peacekeepers.

Helix Wars, sequel to the best-selling Helix, is a fast-paced adventure
novel about the ultimate threat to the Helix itself.

I’m sixty thousand words into the story, and it’s going well. I should have a first draft in the bag by the end of January – with a break for Christmas and the move north to Dunbar, East Lothian. Delivery date is mid-May, and publication is slated for October 2012.

How I work on longer, multi-viewpoint novels – and Helix Wars will probably have four POV characters – is to write each individual’s story in one linear block, taking him or her through the story until near the end. I then slice up the sections and interleave, rewriting to create cliff-hangers, tension etc. Then I write the finale. It’s not how every author goes about writing multi-viewpoint novels, but, as they say, it works for me.

* * *

E-Books

Several of my titles are now available as e-books.

My first novel Meridian Days, the novellas A Writer’s LifeApproaching Omega, the short stories “The Time-Lapsed Man” and “The Death of Cassandra Quebec”, along with my new collection The Angels of Life and Death, are all at Keith Brooke’s infinity plus imprint. Due out soon is my novel Penumbra.

www.infinityplus.co.uk/books

The first volume of the Virex trilogy, New York Nights, is now at Anarchy Books run by Andy Remic:

www.anarchy-books.com

My PS Publishing titles should be available soon from PS Publishing E-Books.

* * *

On the short story front, I have tales due out from Postscripts, Albedo One, The Hub, Andy Remic’s E-anthology Vivesepulture, and Daily SF.

* * *

My next book out, from Abaddon, will be The Devil’s Nebula, summer next year…

Starship Captain Ed Carew and his crew of two – ex-marine Lania Takiomar and ex-convict Gord Neffard – lead a carefree life of smuggling, gun-running and other illicit pursuits in a far future ruled by the fascistic Expansion Authority. But when an Expansion judiciary ship captures Carew and his crew leaving the planet of Hesperides, an out-of-bounds world governed now by the fearsome Vetch extraterrestrials, Carew, Takiomar and Neffard are sentenced to death…

Unless the agree to travel through Vetch territory in pursuit of an human colony vessel which set off for the Devil’s Nebula one hundred years ago.

But why are the Expansion authorities so eager to track down the ship, will Carew and co. survive the journey through Vetch territory – and what might they find when they arrive at the Devil’s Nebula?

The Devil’s Nebula is the first book in a thrilling space opera series, The Weird.

An evil race is threatening not only the human Expansion, but the Vetch Empire, too – an evil from another dimension which infests humans and Vetch alike and bends individuals to do their hideous bidding.

And only if humans and Vetch cooperate to fight of the fearsome Weird do they stand a chance of ensuring their survival…

* * *

My story “The House” was published in the anthology House of Fear, edited by Jonathan Oliver. It a rare (for me) excursion into horror territory, though the story is more psychological horror than out and out gore. Anyway, I think it’s the best tale I’ve written for some time.

* * *

The infinity plus and friends sampler/anthology, infinities, is now
available – free –  from:
www.infinityplus.co.uk/infinities

containing work by Linda Nagata, Scott Nicholson, Kristine Kathryn Rusch, Steven Savile and others.

* * *

The Kings of Eternity:

1999, on the threshold of a new millennium, the novelist Daniel Langham lives a reclusive life on an idyllic Greek island, hiding away from humanity and the events of the past. All that changes, however, when he meets artist Caroline Platt and finds himself falling in love. But what is his secret, and what are the horrors that haunt him?

1935. Writers Jonathon Langham and Edward Vaughan are summoned from London by their editor friend Jasper Carnegie to help investigate strange goings on in Hopton Wood. What they discover there – no less than a strange creature from another world – will change their lives forever. What they become, and their link to the novelist of the future, is the subject of my most ambitious novel to date. Almost ten years in the writing, The Kings of Eternity is full of the staple tropes of the genre and yet imbued with humanity and characters I hope you’ll come to love.

It’s already garnered a lot of great reviews, among which:

http://scotspec.blogspot.com/2011/03/book-review-kings-of-eternity-by-eric.html

Leave a comment

Filed under News

Latest news

Just out from infinity plus ebooks is The Angels of Life and Death. The collection brings together ten of my tales dating from 1992 through to 2009. Some of the tales appeared in obscure, short-lived venues, while others came out in magazines without a wide distribution in either the UK or the US. They’re collected here for the first time – and this is my first ‘ebook only’ venture. Read more on the Collections page.

http://www.keithbrooke.co.uk/ebooks/angels.htm

Other authors lined up for infinity plus ebooks include John Grant, Gary Kilworth, Molly Brown and Anna Tambour.

* * *

Just out fromn Solaris is my post-Gobal Warming novel Guardians of the Phoenix – read more about this title in the Novels section of the site.

Leave a comment

Filed under News