Royalties

It’s that time of year again.

The time of year that the majority of writers anticipate with a mixture of dread tempered by ever-present hope. We should know better, of course, and reconcile ourselves to despair. However, come the close of every September, insane optimism overcomes bitter experience and I expect, and pray for (or would do if I prayed), a larger royalty cheque than I will receive.

The royalty statements from my children’s books have started dribbling in. As they are initially paid to three separate people, I use the word ‘dribble’ advisedly. My first agent handled my first few kid’s books, then I handled the next few when I was without an agent. John Jarrold, my current agent, takes care of the rest.

This year, the statements make salutary reading. My children’s books that are still in print (a handful have been allowed to fall by the wayside), have earned a little less than last time. Most disappointingly, one of the titles, over the course of the six months from January to June, sold just three copies, compared with 81 copies for the previous six month period. So it goes.

On the plus side, my best-selling children’s title, Twocking, sold 438 copies, which was a healthy increase on last time.

All these books came out from the specialist, Edinburgh-based firm of Barrington Stoke, who publish books for reluctant readers. I love doing them, though they haven’t bought anything new from me for a couple of years.

Still, there was a time, over a decade ago, when none of my books had earned out their advances, and every royalty statement exhibited a depressingly high figure in the Remaining Advance column.

Early next year – as Solaris audit their finances to a different time-scale – the royalty statements for my adult SF titles will reach me, and as ever I will be anticipating them with dread and hope.

So it goes.

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